Otros teatros anglófonos

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Drama in English: Other areas

 

 

 

Canadian drama

 

20^th c.

 

Page, Malcolm. "Unhappy Is the Land that Needs No Hero: Heroes and Anti-Heroes in Contemporary Canadian Drama." In Autobiographical and Biographical Writing in the Commonwealth. Ed. Doireann MacDermott. Sabadell: AUSA, 1984. 181-84.*

 

 

 

 

 

Irish Drama

 

General

 

Fitz-Simons, Christopher. The Irish Theatre. London: Thames and Hudson, 1983.

 

 

Miscellaneous

 

Deane, Seamus. "Heroic Styles: The Tradition of an Idea." In Ireland's Field Day. London: Hutchinson, 1985.

Harmon, M., ed. The Irish Playwright and the City. Gerrards Cross: Colin Smythe, 1984.

Kosok, Heinz. Plays and Playwrights from Ireland in International Perspective. Rev. in Anglistik 7.2 (Sept. 1996): 49-51.*

Sekine, M., ed. Irish Writers and the Theatre. Gerrards Cross: Colin Smythe, 1987.

 

 

 

 

Journals

 

Theatre Ireland 29 (Autumn 1992).

 

 

 

 

Series

 

(Irish Drama Selections). Gerrards Cross: Smythe, c. 1998.

 

 

 

 

 

Renaissance

 

Clark, William S. The Early Irish Stage: The Beginnings to 1720. Oxford, 1955.

 

 

Restoration-18th

 

Burke, Helen. Riotous Performances: The Struggle for Hegemony in the Irish Theatre, 1712-1784. U of Notre Dame, 2003.

_____. "15. Acting in the Periphery: The Irish Theatre." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 219-32.*

 

 

 

20th Century

 

Achilles, Jochen. "'Homesick for Abroad': The Transition from National to Cultural Identity in Contemporary Irish Drama." Modern Drama 38.4 (Winter 1995): 435-49.*

_____. "(R)Evolution versus Repetition: Concepts of History and Perspectives of Cultural Change in Irish Drama." Anglistik 7.2 (Sept. 1996): 39-48.*

Bertha, Csilla. "The Reflection of Irish Nationalism in Contemporary Irish Drama." In Nationalism vs. Internationalism: (Inter)National Dimensions of Literatures in English. Ed. Wolfgang Zach and Ken L. Goodwin. Tübingen: Stauffenburg Verlag, 1996. 1891-98.*

Cairns, David and Shaun Richards.  "Tropes and traps: Aspects of 'Woman' and nationality in twentieth-century Irish drama." In Gender in Irish Writing. Ed. Cairns and Richards. Buckingham: Open UP, 1991. 128-137.

Etherton, Michael. Contemporary Irish Dramatists.

Fitzgibbon, Emelie. "All Change: Contemporary Fashions in the Irish Theatre." In Irish Writers and the Theatre. Ed. M. Sekine. Gerrards Cross: Colin Smythe, 1987. 33-46.

Grene, Nicholas. The Politics of Irish Drama. Cambridge: Cambridge UP, 1999.

Griffiths, Trevor R., and Margaret Llewllyn-Jones, eds. British and Irish Women Dramatists since 1958. Open UP, 1993.

Herrero Martín, Rosana. The Doing of Telling on the Irish Stage: A Study of Language Performativity in Modern and Contemporary Irish Theatre. Frankfurt: Peter Lang, 2008.

Hogan, Robert. "Since O'Casey" and Other Essays on Irish Drama. Gerrards Cross: Colin Smythe, 1983.

Hywel, Elin Ap. "Elise and the Great Queens of Ireland: "Femininity" as constructed by Sinn Féin and the Abbey Theatre, 1901-1907". In Gender in Irish Writing. Ed. David Cairns and Shaun Richards. Buckingham: Open UP, 1991. 23-39.

King, Kimball. Ten Modern Irish Playwrights. New York: Garland, 1979.

Levitas, Ben. The Theatre of Nation: Irish Drama and Cultural Nationalism 1890-1916. 2002.

Mathews, P. J. Revival: The Abbey Theatre, Sinn Féin, the Gaelic League and the Co-operative Movement. 2003.

_____, ed. The Art of Popular Culture: From 'The Meeting of the Waters' to Riverdance. (UCD Scholarcast series). 2008.

Maxwell, D. E. S. A Critical History of Modern Irish Drama 1891-1980. Cambridge: Cambridge UP, 1984.

Murray, Christopher. "Irish Drama in Transition 1966-1978." Etudes Irlandaises n.s. 4 (Dec. 1979): 187-308.

_____. "Recent Irish Drama." In Studies in Anglo-Irish Literature. Ed. Heinz Kosok. Bonn: Bouvier Verlag Herbert Grundmann, 1982. 439-43.

Nevison, H. W.  "Irish Plays of 1904." In Nevison, Books and Personalities.  London: Lane, 1905. 245-50.

Richards, Shaun. "Contemporary Irish Drama: 1940-2000." In The Cambridge History of Irish Literature. Cambridge: Cambridge UP, 2006.

_____. Contemporary Irish Drama: From Beckett to McGuinness. Rev. ed. Basingstoke: Palgrave Macmillan, 2009.

Roche, Anthony. "Contemporary Irish Drama: 1940-2000." In The Cambridge History of Irish Literature. Cambridge: Cambridge UP, 2006.

_____. Contemporary Irish Drama: From Beckett to McGuinness. 2009.

_____. "14. Synge and Contemporary Irish Drama." In The Cambridge Companion to J. M. Synge. Ed. P. J. Mathews. Cambridge: Cambridge UP, 2009. 173-84.*

Sainero Sánchez, Ramón. "Ibsen y el movimiento literario irlandés." Homenaje a Esteban Pujals Fontrodona. Oviedo: U de Oviedo / AEDEAN, 1982.*

Teevan, Colin. "Northern Ireland: our Troy? Recent Versions to Greek Tragedies by Irish Writers." Modern Drama 41.1 (Spring 1998): 77-89

Usandizaga, Aránzazu. Teatro y política: El Movimiento Literario Irlandés. Barcelona: UAB, 1993.

 

 

Anthologies

 

Grant, David, ed. The Crack in the Emerald: New Irish Plays. Nick Hern, 1990.

Harrington, John P., ed. Modern Irish Drama.  (Norton Critical Edition). New York: Norton, 1991.

Moore, Honor, ed. The New Women's Theatre: Ten Plays by Contemporary American Women. Vintage, 1977.

 

 

 

 

Bibliographies

 

Mikhail, E. H. A Research Guide to Modern Irish Dramatists. New York: Whitston Publishing, 1979.

_____. An Annotated Bibliography of Modern Anglo-Irish Drama. New York: Whitston Publishing, 1981.

 

 

 

 

 

21^st c. Irish drama

 

Middeke, Martin, and Peter Paul Schnierer, eds. The Methuen Drama Guide to Contemporary Irish Playwrights. 2010.

 

 

 

 

 

 

 

 

 

Scottish Drama

 

 

20th century

 

Cameron, Alasdair. "Experimental Theatre in Scotland?" In Contemporary British Theatre. Ed. Theodore Shank. Basingstoke: Macmillan, 1994. 123-38.

Portillo, Rafael. "Nacionalismo, petróleo y el teatro escocés de hoy." Atlantis 1.2 (1980).

 

 

Anthologies

 

Cameron, Alasdair, ed. Scot-Free: New Scottish Plays. Nick Hern, 1990.

 

 

 

 

 

South African drama

 

Barrios Herrero, Olga. The Black Theater Movement in the United States and in South Africa: A Comparative Approach. Ph.D. Dissertation, U. of California, Los Angeles. Ann Arbor (MI): University Microfilms, 1992.

_____. "A Reflection on the Similarities of the Black Theatre Movement in the USA and in South Africa." Atlantis 19.2 (December 1997, pub. December 1998): 7-14.*