Mostrando entradas con la etiqueta Philips. Mostrar todas las entradas
Mostrando entradas con la etiqueta Philips. Mostrar todas las entradas

miércoles, 25 de octubre de 2017

Katherine Philips

(From The Oxford Companion to English Literature, ed. Margaret Drabble).


PHILIPS, Katherine (1631-64), known as the 'Matchless Orinda', the daughter of Royalist John Fowler, a London merchant. She lived in London until the age of 15, attending Mrs Salmon's School, Hackney. Upon her father's death her mother married a Welsh baronet, whose castle in Pembrokeshire became Katherine's home. In 1648 she married Parliamentarian James Philips of Cardigan: he was 59, she 17. Her poems were widely circulated in manuscript, inspiring eulogies by Henry *Vaughan ('It was thy light showed me the way' in Olor Iscanus and Thalia Rediviva); a commendatory poem by 'Orinda' was prefixed to the latter volume. Her translation of *Corneille's Pompée was acted in Dublin with great success in 1663, and her version of Horace, completed by *Denham, in 1668. Her collected poems appeared unauthorized in 1664. She died of smallpox, and was mourned in elegies by *Cowley and Sir William *Temple; her collected poems were published in 1667. They memorialize a coterie, a Platonic Society of Friendship, whose members were known by poetic sobriquets, including Anne Owen (Lucasia), Mary Aubrey (Rosania), John *Berkenhead (Cratander), and Sir Charles Cotterell (Polliarchus), her correspondence with whom was published as Letters from Orinda to Poliarchus in 1705. These letters show Philips's careful construction of the persona of 'Orinda'. She was pre-eminently a poet of female friendship. Her lyrics, marrying Cavalier and Metaphysical influences, applied Petrarchan love conventions to present women's friendship as an ideal. Friendship is 'our passion . . . the strongest thing I know'. See P. W. Souers, The Matchless Orinda (1931); E. Hobby, The Virtue of Necessity (1988); Germaine *Greer, Kissing the Rod (1988).

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"Katherine Philips." Poetry Foundation.*
         2019


Katherine Philips. "To my Excellent Lucasia, on Our Friendship." Poetry Foundation.*
         2019



















—oOo—

lunes, 12 de diciembre de 2011

Stage of Mischiefs

 

 

Un poema de Katherine Philips, "la sin par Orinda", poetisa metafísica inglesa de mediados del siglo XVII. 

Una cristiana muy escéptica—con el mundo y con la vida y con el hombre. En genérico.






            The World


WE falsely think it due unto our friends,
That we should grieve for their untimely ends.
He that surveys the world with serious eyes,
And strips her from her gross and weak disguise,
Shall find 'tis injury to mourn their fate;
He only dies untimely who dies late.

For if 'twere told to children in the womb,
To what a stage of mischiefs they must come;
Could they foresee with how much toil and sweat
Men count that gilded nothing, being great;
What pains they take not to be what they seem,
Rating their bliss by others' false esteem,
And sacrificing their content, to be
Guilty of grave and serious vanity;
How each condition hath its proper thorns,
And what one man admits, another scorns;
How frequently their happiness they miss,
So far even from agreeing what it is,
That the same person we can hardly find,
Who is an hour together in one mind:
Sure they would beg a period of their breath,
And what we call their birth would count their death.
Mankind is mad; for none can live alone,
Because their joys stand by comparison:
And yet they quarrel at society,
And strive to kill they know not whom, nor why.
We all live by mistake, delight in dreams,
Lost to ourselves, and dwelling in extremes;
Rejecting what we have, though ne'er so good,
And prizing what we never understood.
Compar'd t' our boisterous inconstancy
Tempests are calm, and Discords harmony.
Hence we reverse the World, and yet do find
The God that made can hardly please our mind.
We live by chance and slip into events;
Have all of beasts except their innocence.
The soul, which no man's pow'r can reach, a thing
That makes each woman man, each man a King,
Doth so much lose, and from its height so fall,
That some contend to have no soul at all.
'Tis either not observ'd, or at the best
By Passion fought withal, by Sin deprest.
Freedom of Will (God's Image) is forgot;
And if we know it, we improve it not.
Our thoughts, though nothing can be more our own,
Are still unguided, very seldom known.
Time 'scapes our hands as water in a sieve,
We come to die ere we begin to live.
Truth, the most suitable and noble prize,
Food of our spirits, yet neglected lies.
Error and shadows are our choice, and we
Owe our perdition to our own decree.
If we search Truth, we make it more obscure,
And when it shines, cannot the light endure,
For most men now, who plod, and eat, and drink,
Have nothing less their bus'ness than to think.
And those few that inquire, how small a share
Of Truth they find, how dark their notions are!
That serious evenness that calms the breast,
And in a tempest can bestow a rest,
We either not attempt, or else decline,
By ev'ry trifle snatch'd from our design.
(Others he must in his deceits involve,
Who is not true unto his own resolve.)
We govern not ourselves, but loose the reins,
Counting our bondage to a thousand chains;
And with as many slaveries, content
As there are tyrants ready to torment,
We live upon a rack extended still
To one extreme or both, but always ill.
For since our fortune is not understood,
We suffer less from bad than from the good.
The sting is better dress'd and longer lasts,
As surfeits are more dangerous than fasts.
And to complete the misery to us,
We see extremes are still contiguous.
And as we run so fast from what we hate,
Like squibs on ropes, to know no middle state;
So outward storms strengthen'd by us, we find
Our Fortune as disordered as our mind.
But that's excus'd by this, it doth its part;
A treach'rous World befits a treach'rous heart.
All ill's our own, the outward storms we loath
Receive from us their birth, their sting, or both.
And that our Vanity be past a doubt,
'Tis one new vanity to find it out.
Happy are they to whom God gives a grave,
And from themselves as from His wrath doth save.
'Tis good not to be born; but if we must,
The next good is, soon to return to dust,
When th' uncag'd soul fled to Eternity
Shall rest, and live, and sing, and love, and see.
Here we but crawl and grovel, play and cry;
Are first our own, then others' enemy:
But there shall be defac'd both stain and score,
For Time, and Death, and Sin shall be no more.


 
 
—oOo—

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