Mostrando entradas con la etiqueta Estudios culturales. Mostrar todas las entradas
Mostrando entradas con la etiqueta Estudios culturales. Mostrar todas las entradas

jueves, 3 de abril de 2025

Bibliografía de Teoría Literaria, Crítica y Filología

 

BIBLIOGRAFÍA

de Teoría Literaria,

Crítica y Filología

http://personal.unizar.es/garciala/bibliography/esp.html

—oOo—

A Bibliography
of Literary Theory,
Criticism and Philology

http://bit.ly/abibliog

http://personal.unizar.es/garciala/bibliography.html

29ª Edición 
(2024)

por

José Ángel 
G
ARCÍA LANDA


     
Master of Arts en Brown University (Providence, Rhode Island, Estados Unidos)          

       Doctor en Filosofía y Letras (Filología Inglesa) (1988)

y Profesor Titular de Universidad (1992)

de la Universidad de Zaragoza   

 



—oOo—

 

Nunca acaba la tarea de hacer la lista de lo que se ha escrito

 

He aquí la portada y página inicial de una bibliografía de libre acceso sobre estudios literarios, crítica y filología, albergada en la Universidad de Zaragoza desde 1995 en sucesivas ediciones. La edición actual y definitiva en esta ubicación (29ª edición, 2024) comprende más de 11.000 archivos de texto (más de 350 Mb de texto, equivalente a unos 50 volúmenes impresos de tamaño medio), con alrededor de 500.000 registros bibliográficos (libros, capítulos de libro, artículos, obras teatrales, poemas, películas, sitios web, blogs, vídeos, obras musicales, archivos de audio, etc.). Estos registros se clasifican en decenas de miles de listados bibliográficos, ordenados por temas, autores, o escuelas. El foco principal recae sobre a los autores y obras literarias o críticas de lengua inglesa, si bien hay muchos listados sobre escuelas críticas internacionales, lingüística, otras literaturas, estudios culturales, análisis del discurso, y diversos temas sobre estudios culturales, historia, filosofía, conceptos e ideas.

Va asociado a la Bibliografía, y la continúa a partir de 2025, este Blog Bibliográfico del mismo título: https://bibliojagl.blogspot.com/


 

Ahora también en ACADEMIA.

—oOo— 

sábado, 21 de diciembre de 2024

Annotations on Fredric Jameson's 'Postmodernism, or the Cultural Logic of Late Capitalism'

Some critical notes on Fredric Jameson's article "Postmodernism, or the Cultural Logic of Late Capitalism" (New Left Review 146 [1984]: 53-92), from the standpoint of a more comprehensive cultural criticism.

Annotations on Fredric Jameson's 'Postmodernism, or the Cultural Logic of Late Capitalism' 

dx.doi.org/10.2139/ssrn.4991110

4 Pages Posted: 13 Dec 2024

Jose Angel Garcia Landa

Universidad de Zaragoza

Date Written: November 20, 1988



Keywords: Cultural criticism, Marxist criticism, Fredric Jameson, Postmodernism, Postmodern culture

Garcia Landa, Jose Angel, Annotations on Fredric Jameson's 'Postmodernism, or the Cultural Logic of Late Capitalism'
(November 20, 1988). Available at SSRN: https://ssrn.com/abstract=4991110 or http://dx.doi.org/10.2139/ssrn.4991110


Aesthetics & Philospophy of art eJournal

 

 

 

eJournal Classifications Message
PRN Subject Matter eJournals
    
Added to eLibrary
PRN Subject Matter eJournals
    
Added to eLibrary
ArtsRN Subject Matter eJournals
    
Added to eLibrary

 


 

Also here:

_____. "Annotations on Fredric Jameson's 'Postmodernism, or The Cultural Logic of Late Capitalism'." (.doc file, Brown University, 1988). Electronic edition URL (2013):

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/jameson.html

         2013 DISCONTINUED 2020

         http://personal.unizar.es/garciala/publicaciones/jameson.html

         2020

_____. "Annotations on Fredric Jameson's 'Postmodernism, or The Cultural Logic of Late Capitalism'." Academia.edu (2013).

         http://www.academia.edu/4259664/

         2013

_____. "Annotations on Fredric Jameson's 'Postmodernism, or The Cultural Logic of Late Capitalism'." ResearchGate 14 May 2014.*

         https://www.researchgate.net/publication/262297793

         2014

_____. "Annotations on Fredric Jameson's 'Postmodernism, or The Cultural Logic of Late Capitalism'." Humanities Commons 11 Feb. 2018.*

         http://dx.doi.org/10.17613/M6ZN9S

         https://hcommons.org/deposits/item/hc:18213/

         2018

_____. "Annotations on Fredric Jameson's 'Postmodernism, or the Cultural Logic of Late Capitalism'." SSRN 13 Dec. 2024.*

https://ssrn.com/abstract=4991110

http://dx.doi.org/10.2139/ssrn.4991110

         2024

         Aesthetics & Philosophy of Art eJournal 13 Dec. 2024.*

         https://www.ssrn.com/link/Aesthetics-Philosophy-Art.html

         2024

         Social & Political Philosophy eJournal 13 Dec. 2024.*

         https://www.ssrn.com/link/Social-Political-Philosophy.html

         2024

         Art History eJournal 13 Dec. 2024.*

         https://www.ssrn.com/link/Art-History.html

         2024






—oOo—

domingo, 6 de diciembre de 2020

Reseña de INTERCULTURALISM

Un libro donde tengo un capítulo:

 

Castillo Franco, Ignacio. Rev. of Interculturalism: Between Identity and Diversity. Ed. Beatriz Penas Ibáñez and Mª C. López Sáenz. Investigaciones Fenomenológicas 5 (2006). Online at e-Spacio (UNED).*

         http://e-spacio.uned.es/fez/eserv/bibliuned:InvFen-2007-5-5140/Documento.pdf

         2020

Online at Academia.*

         https://www.academia.edu/3426847/

         2019

—oOo—

sábado, 23 de mayo de 2020

Keywords Re-Oriented


Me citan en este tratado de estudios culturales comparativos China-Europa:



Gentz, Joachim. Keywords Re-Oriented. (InterKultur: European-Chinese Intercultural Studies, 4). With Ella Chmiellewska, Hannah Sommerseth and Jack Burton. Göttingen: Universitätsdrucke Göttingen, 2009.* (Culture, Orientalism, Occidentalism, Postmodernism, Historiography, Literary Field, Discourse, Intertextuality, Canon, Body, Gender, Text, Art, Representation, Reality). Online at Academia.*
         2020



—oOo—

sábado, 21 de marzo de 2020

Nada Hay Aislado


Me citan (positivamente) en este artículo sobre sinología, dudosa disciplina según dicen. 

El epígrafe es bonito, los dos lo son:

‘There is nothing isolated’ (Zhu Xi) 
Tout tient à tout ’ (French proverb

—y de hecho me hace pensar en las diatribas de Gustavo Bueno a cuenta de la Symploké de Platón. Es cierto que todo está relacionado con todo, la teoría del evolucionismo cósmico así lo dice y lo quiere, pero también es cierto que esas relaciones tienen una jerarquía, o más bien una serie de jerarquías, y no son un free for all. Oigan, y si aun puestos a relacionar todo con todo, la mente está hecha para encontrar esas relaciones implausibles y sorprendentes de cualquier cosa con cualquier cosa, pregúntenle si no a John Donne y a sus metaphysical conceits. ("Nothing Is An Island").
 

Entre estas Autoridades Occidentales se me cita. Con Wellek & Leitch & al. no puedo decir que estoy en mala compañía:
Michael Groden a.o. (eds.), The Johns Hopkins Guide to Literary Theory and Criticism, The Johns Hopkins UP, 2005 (list of entries); Raman Selden a.o., A Reader’s Guide to Contemporary Literary Theory, Pearson, 2005; Gregory Castle, The Blackwell Guide to Literary Theory, Wiley-Blackwell, 2007; Vincent Leitch a.o. (eds.), The Norton Anthology of Theory and Criticism, W.W. Norton, 2010; Barry Nisbet & Claude Rawson (eds.), The Cambridge History of Literary Criticism (nine volumes), CUP, 1990-2013; and José Ángel García Landa, ‘A Bibliography of Literary Theory, Criticism and Philology’, 2013 (online). René Wellek’s eight-volume History of Modern Criticism, 1750-1950, Harcourt, 1955-1992, is a monumental scholarly study.





—oOo—

miércoles, 9 de enero de 2019

Retropost (9 de enero de 2009): New Trends in Translation and Cultural Identity



New Trends in Translation and Cultural Identity. Ed. Micaela Muñoz Calvo, Carmen Buesa-Gómez and M. Ángeles Ruiz-Moneva. Newcastle upon Tyne: Cambridge Scholars

Publishing, 2008.

A publication originating in our department, issued in late 2008—although the authors and editors have been working at it at least since our 2005 Susanne Hübner Seminar at the University of Zaragoza.

Thematic sections of the volume:  I. Cultural Identity, Ideology and Translation; II. Popular Culture, Literature and Translation; III. Translating the Media: Translating the Culture; IV. Scientific Discourse as Cultural Translation.

Contents:

  • Muñoz-Calvo, Micaela (U de Zaragoza). "Introduction: An Approach to New Trends in Translation and Cultural Identity."  1-7.
  • Wolf, Michaela. (U of Graz). "Interference from the Third Space? The Construction of Cultural Identity Through Translation."  11-20.
  • Alonso-Breto, Isabel (U of Barcelona). "Translating English into English as a case of Symbolic Translation: Language and Politics through the Body in Marlene Nourbese Philip's She Tries Her Tongue, Her Silence Softly Breaks."  21-34.
  • Hagedorn, Nancy L. (SUNY Fredonia). "'With the Air and Gesture of an Orator': Council Oratory, Translation, and Cultural Mediation during Anglo-Iroquois Treaty Conferences, 1690-1774."  35-45.
  • Penas Ibáñez, Beatriz. "The Identitarian Function of Language and the Narrative Fictional Text: Problematizing Identity Transferral in Translation per se."  47-65. (Hemingway, The Sun Also Rises).
  • Daldeniz, Elif. (Okan U, Turkey). "Expectations for Translators and Translation in Present-Day EU."  67-77.
  • Camps, Assumpta. (U of Barcelona). "Translation from Cultural Borders."  (Sandra Cisneros, Liliana Valenzuela).
  • Franco Aixelá, Javier. (U of Alicante). "Ideology and Translation: The Strange Case of a Translation Which Was Hotter than the Original: Casas Gancedo and Hammett in The Falcon of the King of Spain (1933)."   95-104.
  • Loupaki, Elpida (Aristotle U, Thessaloniki). "Shifts of Involvement in Translation: The Case of European Parliament Proceedings."  105-16.
  • Bandín, Elena (U of León, Spain). "Translating at the Service of the Francoist Ideology: Shakespearean Theatre for the Spanish National Theatre (1941-1952): A Study of Paratexts."  117-28.
  • Gómez Castro, Cristina (U of Cantabria). "Translation and Censorship Policies in the Spain of the 1970s: Market vs. Ideology?"  129-37.
  • Rioja Barrocal, Marta. (U de León). "Research Design in the Study of TRACE under Franco's Dictatorship (1962-1969). Brief Comments on Some Results from the Analysis of Corpus 0."  139-50.
  • Uribarri Zenekorta, Ibon. (U of the Basque Country). "Ideological Struggle in Translation: Immanuel Kant in Spain."  151-61.
  • Seago, Karen. (London Metropolitan U). "Proto-Feminist Translation Strategies? A Case Study of 19th Century Translations of the Grimm Brothers' 'Sleeping Beauty'."  165-84.
  • Molina, Silvia (Polytechnic U of Madrid). "Missed Connections: Re-Writing Anglo-American Feminism into Spanish."  185-93.
  • Karadag, Ayse Banu. (Turkey) "Religious Ideology and the Translations of Robinson Crusoe into [Ottoman and Modern] Turkish."  195-216.
  • Herrando Rodrigo, Mª Isabel. (U of Zaragoza).  "A Reflection on Adaptations of Gulliver's Travels for Children and Teenagers in Spain During the Last Half of the 20th Century."  217-36.
  • O'Connor, Maurice Frank. (U of Cádiz). "Ben Okri as Cultural Translator."  237-47.
  • Muñoz-Basols, Javier. "Translating Sound-Based Humor in Carol Weston's With Love from Spain, Melanie Martin: A Practical Case Study."  249-66.
  • Valero Garcés, Carmen. (U of Alcalá)). "Forging African Identity through Literature and Getting to Know It Through Translation."  267-87.
  • Ráez Padilla, Juan. (U de Jaén). "Seating at the Head of the Literary Table: Seamus Heaney's Countercultural Redress in Beowulf: A New Translation."  289-98.
  • Zarandona, Juan Miguel. (U of Valladolid). "Silver Shadow (2004): The Arthurian Poems of Antonio Enrique or the Different Reception of a Translation and a Self-Translation."  299-309.
  • Izard, Natália. (U Pompeu Fabra). "Translating for Dubbing: A Third Degree Equation. An Analysis of Dubbings in Spain."  313-23.
  • Montes Fernández, Antonia. (U de Alicante). "Advertising Texts—A Globalised Genre: A Case Study of Translation Norms."   325-40.
  • Repullés Sánchez, Fernando. (U de Zaragoza). "Shrek: When Audiovisual Humour Becomes a Lingua Franca."  337-56.
  • Rox Barasoain, María. (U de León). "How 'Marujita Díaz' Became 'Julie Andrews': Idiosyncrasies of Translating Cultural References in the Filmography of Pedro Almodóvar."  357-67.
  • Saz Rubio, María Milagros del. (Polytechnic U of Valencia, Spain) and Barry Pennock-Speck (U of Valencia). "Male and Female Stereotypes in Spanish and British Commercials."  369-82.
  • González Pastor, Elena (U of Zaragoza). "From 'Stem Cell' to 'Célula madre': What Metaphors Reveal about the Culture."  385-96.
  • Martínez Lanzán, Gloria (U de Zaragoza). "The Language of Wine Tasting: Specialised Language?"  397-411.
  • Williams, Ian A. (U of Cantabria). "Translation Strategies and Features of Discourse Style in Medical Research Articles: A Corpus-Based Study."  413-32.
  • Florén Serrano, Celia, and Rosa Lorés Sanz (U of Zaragoza). "The Application of a Parallel Corpus (English-Spanish) to the Teaching of Translation (ENTRAD Project)."  433-43.
Información de la editorial:
http://www.c-s-p.org//Flyers/New-Trends-in-Translation-and-Cultural-Identity1-84718-653-X.htm





—oOo—



domingo, 17 de diciembre de 2017

The Geography of Morals


From the New Books Network: 
 
Owen Flanagan
The Geography of Morals: Varieties of Moral Possibility
Oxford University Press 2017
December 15, 2017 Interview by Carrie Figdor

What is it to be moral, to lead an ethically good life? From a naturalistic perspective, any answer to this question begins from an understanding of what humans are like that is deeply informed by psychology, anthropology, and other human-directed perspectives as these are constrained by evolution. In The Geography of Morals: Varieties of Moral Possibility (Oxford University Press, 2017), Owen Flanagan sets out to clarify the landscape of moral possibility for actual human beings. He defends a perspective on human morality that he describes as an “oughtology” based in naturalism, gleaned from comparing Western, Chinese, and Indian moral traditions. Flanagan, a professor of philosophy at Duke University, considers how diverse moral traditions converge on some features basic to moral psychology, such as compassion, yet differ in other ways, such as whether anger is a justified and beneficial moral emotion or whether it should be extirpated. He also examines different views of the self, including the Buddhist view in which there is no self.
Audio Player
56:38
02:10:53

—oOo—

miércoles, 14 de junio de 2017

Muslim Youth in the Diaspora

Me citan, nos citan, en este libro de estudios culturales sobre la juventud de la diáspora musulmana, el radicalismo islámico, etc.:


         Pam Nilan, Muslim Youth in the Diaspora: Challenging Extremism through Popular Culture. (Youth, Young Adulthood and Society Series). Abingdon & New York: Routledge, 2017.









Sonita Alizadeh - Novias en venta



—oOo—

jueves, 7 de abril de 2016

Anges, Vierges, Super-héros




Figures et emblèmes culturels : Revivance de quelques anges, super héros et vierges
Figures poreuses aux contextes idéologiques et culturels, Superman et Saint‐Michel incarnent des figures de justiciers recyclées dans l’art contemporain, de la BD aux œuvres plastiques les plus récentes. Mais l’icône est autant célébrée que malmenée sur fond de résonance judeo‐chrétien (dont la figure de la Pietà) très activé en matière d’iconologie. Opérations au sens clinique du terme : comment, à travers ce recyclage, les processus de légitimation opèrent‐ils ? Violence sanguinaire ou pathos ?

Conférence de Isabelle Roussel-Gillet, dans le cadre du colloque «Survivance des icônes : usage et recyclage des figures et emblèmes culturels (XXe– XXIe siècles) » organisée par Géraldine Chouard (Université Paris-Dauphine) et Déborah Lévy- Bertherat (ENS). https://youtu.be/OUPEfc9MpvI

Isabelle Roussel-Gillet est maître de conférences à Lille 2 et membre du laboratoire Textes et cultures à Arras. Ses publications portent sur la question de la trace, notamment chez Annie Ernaux, Laurent Cantet, Richard Dindo et Le Clézio.


—oOo—

martes, 23 de septiembre de 2014

La interfaz

martes, 15 de abril de 2014

We, the other Victorians


Reseña, en inglés, del volumen WE, THE OTHER VICTORIANS: CONSIDERINGTHE HERITAGE OF 19TH-CENTURY THOUGHT editado por Silvia Caporale Bizzini (Publicaciones de la Universidad de Alicante, 2003). Es un volumen sobre la cultura anglosajona de la era victoriana, que examina también cuestiones de la modernidad y de la sociedad contemporánea a través de la comparación y paralelismo entre fenómenos decimonónicos y contemporáneos. Es un libro de interés para críticos culturales que trabajen en cuestiones como el consumismo, las políticas sobre drogas, las tecnologías del cuerpo, la metaficción historiográfica, etc.: pero también es una contribución interesante al género crítico postmoderno que podríamos llamar "hermenéutica de la relectura retrospectiva."

 

A review of the book WE, THE OTHER VICTORIANS: CONSIDERING THE HERITAGE OF 19TH-CENTURY THOUGHT, ed. Silvia Caporale Bizzini (University of Alicante, 2003). This is a volume on cultural studies in the Anglo-Saxon area during the Victorian period, which also examines issues relevant to modernity and contemporary society through a comparison and parallelism between present-day issues and phenomena and their nineteenth-century equivalents. The book will be of interest to cultural critics working in such areas as consumerism, drug policies, body technologies, historiographic metafiction, etc.; but it is also an interesting contribution to a postmodern critical genre we might call "hermeneutics of retrospective rereading".
__________







También aquí:

 

_____. Rev. of We, the "Other Victorians": Considering the Heritage of 19th-Century Thought.  Ed. Silvia Caporale Bizzini. Atlantis 27.1 (June 2005): 111-15.*

https://www.atlantisjournal.org/index.php/atlantis/issue/archive?issue=27-1

2021 DISCONTINUED 2026 – Online at the Internet Archive.*

https://web.archive.org/web/20150429073606/https://www.atlantisjournal.org/index.php/atlantis/issue/archive?issue=27-1

2026

_____. Rev. of We, the "Other Victorians": Considering the Heritage of 19th-Century Thought (ed. Silvia Caporale Bizzini). SSRN 4 March 2009.*

         http://ssrn.com/abstract=1352884

         2009

_____. Rev. of We, the "Other Victorians": Considering the Heritage of 19th-Century Thought. Ed. Silvia Caporale Bizzini. Online PDF in Zaguán 4 March 2009.*

         http://zaguan.unizar.es/record/2047

         2009

_____. Rev. of We, the "Other Victorians": Considering the Heritage of 19th-Century Thought. Ed. Silvia Caporale Bizzini. ResearchGate 4 Sept. 2012.*

https://www.researchgate.net/publication/33419638

         2012

_____. Rev. of We, the "Other Victorians": Considering the Heritage of 19th-Century Thought. Ed. Silvia Caporale Bizzini. Academia 15 April 2014.*

         https://www.academia.edu/6764005/

         2014 (+AI podcast, 2026)

_____. Rev. of We, the "Other Victorians" Online at García Landa, Vanity Fea 15 April 2024.*

         https://vanityfea.blogspot.com/2014/04/we-other-victorians.html

         2024

 

—oOo—

viernes, 13 de septiembre de 2013

Distributed intimacies CFP

Banff Research in Culture 2014

Summer Research Residency



Program Dates: May 26, 2014 – June 13, 2014

Application Deadline: December 2, 2013

Application and Program Info: http://www.banffcentre.ca/programs/program.aspx?id=1394

Faculty: Lauren Berlant<http://www.banffcentre.ca/programs/program.aspx?id=1394&facId=4020&p=member>, Francisco Camacho<http://www.banffcentre.ca/programs/program.aspx?id=1394&facId=4282&p=member>, Wendy Hui Kyong Chun<http://www.banffcentre.ca/programs/program.aspx?id=1394&facId=4577&p=member>

Intimacy describes our relations with those people, places, creatures, and things to which we feel the deepest, most powerful or most abiding connections. The multiple ways in which we experience intimacy today draw attention to the complex patterning of closeness and distance that has always unconsciously structured our cultural, social and political practices. There have long been forms of distant intimacy—staying ‘in touch’ via the drama of epistolary exchanges or through sound waves emanating from a telephone—but recent technological developments, increased travel, the expansion of migration and immigration, and instantaneous virtual communication are fundamentally reshaping our understanding and experience of the proximity of bodies, sentiments, and ideas. Social networking and the democratization of modes of communication and media have had a profound significance for the experience of community, collectivity, and affinities; at every level, from the family to the nation, our sense of belonging is being redefined in ways that affect our daily experience but remain difficult to comprehend.

One can see evidence of the new distribution of intimacy everywhere: in the immediacy of a rock concert, one witnesses people en masse recording the spectacle for friends not present; on public transit around the world, passengers make connections to different elsewheres via newspapers, music, text messages, and mobile phone calls; and in political protests (as evidenced by the Arab Spring and recent dissent in Turkey), which have been reshaped by the use of technologies that are, for a new generation, part and parcel of everyday life. Intimacies of friendship, collectivity, love and belonging are being substantially redefined through the devices in our hands and a global infrastructure that supports instantaneous sharing.

Banff Research in Culture (BRiC) 2014 will investigate the cultural, social, and political repercussions of “distributed intimacies”—the processes and outcomes of new forms of mediation that have reshaped how we relate to one another, imagine ourselves as parts of groups, and constitute communities. Given the fractal character of our subjectivity—the ways in which we are necessarily the outcome of networks of intersubjective relations, experiences, and concepts—how are our intimacies constituted by the ways we live? What are the modes and machines by which intimacies are distributed, and what determines their intensities? How does the global distribution of goods, ideas and affects across oceans and continents shape forms of intimacy, belonging and community? What forms of intimacy feel inescapable? What impedes intimacy from flourishing? Are local scenes and forms of collectivity (e.g., non-traditional families, polyamory, activist movements, alternative forms of political practice) enabled by new forms of distributed intimacies? In what ways do contemporary cultural and art practices participate in the distribution of intimacy? To what extent are our intimacies segmented, remote-controlled, and apportioned, and can we redefine these distributions without lapsing into a nostalgic primitivism? Finally, what does distributed intimacy imply for social change as well as for the politics of shaping one’s own self in relation to others?

We look forward to receiving compelling and original project proposals from thinkers and creators working on a wide range of projects.


Imre Szeman
Canada Research Chair in Cultural Studies
Killam Annual Professor
Professor of English, Film Studies and Sociology
University of Alberta
www.crcculturalstudies.ca<http://www.crcculturalstudies.ca/>

miércoles, 10 de abril de 2013

Stuart Hall on Representation and Race

The beginning of a lecture on representation and the media:





 

And a lecture on "Race: The Floating Signifier":








 
—oOo—

Questions of Cultural Identity

Aquí la página 12 del capítulo "Who Needs Identity?" de Stuart Hall, que fotocopié mal para mi bloque de lecturas del máster:



Y aquí el libro (por partes) en Google Books.




 
—oOo—

domingo, 7 de abril de 2013

Liza Das, Cultural Studies: Evolution and Culture




A human tendency to hierarchy in social bonds; a tendency and a deep personal concern towards status and towards recognition by others; a great value placed on self-esteem, a desire for private space; for sexual bonding and parental bonding; an avoidance of incest, and a tribalism of some kind....

... culturally and epigenetically transmitted attitudes, parental investment, reciprocal altruism, and predator avoidance.By the way, I might point out that predator avoidance includes avoidance of small bands of strangers in a solitary landscape. Man has been the most dangerous predator for man for many centuries—homo homini lupus, Hobbes dixit.



Next lecture: Evolutionary psychology:





A highlight here: our minds evolved for practical purposes in a hunter-gatherer society. They are not all-purpose tools (there are no all-purpose tools, not even Swiss knives). 

Information overload is counter-productive to our survival. We need to direct our attention and select useful information for practical purposes.



Mi fotoblog

Mi fotoblog
se puede ver haciendo clic en la foto ésta de Termineitor. Y hay más enlaces a cosas mías al pie de esta página.