martes, 30 de abril de 2024

Begoña en Diligencias


La Fiscalía Provincial de Madrid incoa diligencias previas tras la denuncia de Hazte Oír contra Begoña Gomez. 

La denuncia presentada ante la Fiscalía General del Estado ha permitido que la Fiscalía Provincial de Madrid incoe las Diligencias mencionadas en la presente nota de prensa. 

Es importante señalar que dicha denuncia se presentó con relación a un posible delito económico y por tráfico de influencias, tal y como se ha venido conociendo en las últimas semanas a través de los medios de comunicación. 

Estas son las medidas legales que Hazte Oír ha presentado en las últimas semanas: 

- 6 de abril: Denuncia ante la Fiscalía Europea. 

- 8 de abril: Denuncia ante la Fiscalía General del Estado. 

- 12 de abril: Denuncia ante la Oficina Europea de Lucha contra el Fraude. 

- 26 de abril: Querella presentada ante el Juzgado de Instrucción n°41 de Madrid. 


"No se debe intentar camuflar como ataque a la mujer de Pedro Sánchez lo que no es más la exigencia de responsabilidad y, sobre todo, de conocer la verdad de las actuaciones de Begoña Gómez” ha concluido el portavoz. Más información: 



¿Será un bulo más sobre Begoña, de los que dice Sánchez que lanza a lo loco la Ultra-Extrema Derecha, sacándoselos del ombligo o del magín?  No sé, no sé.   Quizá habría que preguntarle al experto en bulos y maquinista de la Máquina del Fango, Sánchez mismo imperson, quien los teoriza y conceptualiza con apoyatura intelectual en Umberto Eco:

Brandau, Dieter. "En este país llamado España: Pedro Sánchez y la máquina del fango." Audio. EsRadio 29 April 2024.*







Primeros de mayo. Parece que se sustancia la sustancia:



García Landa, José Angel. "Sánchez, Begoña y Manos Limpias." In García Landa, Vanity Fea 1 May 2024.*




García Landa, José Angel. "La UCO investiga a Begoña Gómez." In García Landa, Vanity Fea 6 May 2024.*


From My Institution


From My Institution

Foto de un autobús


Foto de un autobús

Notes from Textual Interaction

 Notes from

Michael Hoey, Textual Interaction


José Angel García Landa

Universidad de Zaragoa, 2003


With occasional parenthetical comments in Spanish....



1. What to expect and what not to expect


5          Reader’s expectations- “The point is that you will have interacted with the passage. One of the aims of this book is to show the linguistic implications of the fundamental fact that texts gain their meaning from a reader’s interaction with them.” Writers presume a shared understanding of what texts do, “This shared understanding is another feature of interactivity and is, more than anything else, the subject of this book.”


10        Kaplan 1966, different cultures have different preferences for sequencing an argument. Griems 1972, 1975: “distinguishes outline and overlay languages (the former moving quickly from narrative point to point, the latter building the narrative by a process of accretion involving considerable repetition and paraphrase”



2 Text as a site for interaction


11        “Texts can be defined as the visible evidence of a reasonably self-contained purposeful interaction between one or more writers and one or more readers, in which the writer(s) control the interaction and produce most of (characteristically all) the language.”


13        Model of interaction in fiction “is very limiting if one looks at a wider range of texts. In the first place it treats writing as a proactive process and reading as a receptive process”


14        “It can be useful to see texts as the product of an interaction not between two participants but amongst four: the author, the writer, the audience and the reader.”


“The audience of a text is the intended readership, the imaginary person or persons whom the writer addresses and whose questions s/he tries to answer.”


15        “Morley (1998) has shown how this use of nominal groups to compress known or assumed-to-be-known information is used by newspapers to encode ideologically-loaded positions”

Purposes of the interactions amongst author, writer, audience and reader. “The interactions amongst author, writer, audience and reader are complex. The author has a purpose in communicating to the audience and authorises the writer to produce a text that will achieve that purpose. The writer composes a text for an audience that may or may not match the description of the actual readers. The readers also have a purpose in reading the text which may not be the one that the writer had in mind and may not be congruent with the author’s original purpose.”


E.g. RAC advertisement: author, RAC, writer, copywriter.


16        A reader chances upon the text; I don’t have a car “So I am the ‘wrong’ reader; I am a reader, for all that.”


Reading a statute: if a lawyer reads, “Such a reader’s interpretation may not always be a co-operative one”


“Natural science articles are different from advertisements and statutes in having personal authors.”


“The audience is made up of fellow scientists with a specialist knowledge in the field, as again a glance at the nominal groups reveals. As with the statue, there is little chance that the actual readers will differ much from the ideal reader that the writer had in mind.”


17        Newspaper stories: authro is the newspaper. Audience of political news is expected to have been following the story, know main participants, etc.

“Sometimes there is more  than on audience intended for a text” e.g. till receipt contains information for a variety of audiences.


18        The Writer’s Desire to meet the audience’s needs: And the author’s, if not the same (Cf Goffman: principal, speaker...).


20        “First, texts are indeed the product of an interaction between their author and their audience, and second, adults manage the interaction diffrerently”


23        Sentences give rise to sets of expectations by readers, met or not (cf. Eco & me).


“on the basis of reading a sentence, a reader forms expectations about how the text may continue. S/he then matches those expectations against the next sentence. If this sentence appears to match one of his/her expectations more than any of the others, it will be interpreted in that light.”


24        “our understanding of texts is partly governed by our ability to generate sensible hypotheses about what is going to happen in the text that we are reading and by the attempts we make to find those hypotheses fulfilled”


25        “Narrative texts are much the same with regard to the matter of answering the reader’s questions except that, in principle, they are easier to process.”


26        “As a general truth, text is not built up with sentences as building blocks: sometimes, the building blocks of text are smaller (as here), sometimes much larger...”


27        Signals from writer to reader: moment-by-moment guidance:


e.g. “the former” as a signal that “the latter” will follow, nominal group constructions to create expectations, or disambiguation, etc. “Signals at the level of text are of a different kind. They vary in nature and will be discussed in more detail in later chapters. For the moment, I note only that they may take the form of specialised nouns (e.g. consequence), verbs (e.g. differs), adjectives (contrasting) and adverbs and prepositional phrases (e.g. therefore, as a result), the last being enshrined in grammars as ‘conjuncts’ or ‘sentence conjunctions’.”


28        Signalling may include signals of what questions have been answered (retrospective signalling).


30        Clause relations as a reflection of a text’s interactivity:


“the signals writers use are a way of reducint the amount of inference necessary in any particular case.”


“Signals sometimes eleiminate the need ffor such inferences, but few texts do not require some inferencing on the part of readers.” Winter, 2 kinds of relations between clauses or sentences, “Sequence relations and Matching relations” (time sequence, cause-consequence, means-purpose, premise-deduction are sequence relations).


31        “Matching relations, by contrast, do not involve putting things in any order: instead statements are brought together with a view to seeing what light they shed on each other” (comparison, difference, exemplification, preview-detail, exceptions. May be signalled by subordinators and sentence conjunctions, often by repetition and parallelism).


32        Implications for learner: accurate recognition of signals may ease processing.


33        proponents of interaction: Goodman, Smith 1978, Goffman, Winter.




3 Interaction in text: The larger perspective


35        “At the same time that we formulate expectations about the immediately unfolding text, so also we formulate larger-scale hypotheses about the text as a whole, and the text will be written with these larger hypotheses in mind as well as the local ones that could be modelled in terms of a question-answer dialogue.”


Questions that receive a deferred answer.


41        Cohesion features, etc. “they are part of the signalling that a writer, consciously or unconsciously, supplies to enable a reader to detect places where expectations are to be met—or at the very least connections to be made.” Cohesive ties: “their real significance lies in their availability as means for connecting sentences, both close to and far off.” 


42        Successful predictions of most general features of a text on the basis of few sentences, etc. 


43        “a measure of the writer’s own successs at predicting what his readers will want to know.” 


An article in embryo at its beginning. 


Signals as messages from writer to reader: previews and intertextuality—


“The writer knows that readers will expect certain things on the basis of previous texts of the same kind that they have to read and so takes the trouble to conform to those expectations” etc.; “preview statements that function as signals to the reader about the nature of the text to come”


e.g Borges’s “Death and the Compass” begins with allusions to detective stories. 


46        “Borges is exploiting the genre conventions to make the reader believe s/he is reading an olf-fashioned detective story, but it is only a detective story in a rather indirect and unusual way.”


48-49 Fowles’s The Enigma: “The startling effect of the change of direction Fowles introduces into his story would not be startling at all if our expectations of texts were not normally met. Writers anticipate our needs by presenting information in the order we need it and in which we have received it in the past and we in turn have expectations that are  shaped by our confidence that the writer will anticipate our needs”


49        Implications for the language learner. Cohesion-seeking exercises, etc. 


50        “a learner will find it easier to make sense of a text if the intertextual connections are recognised.”


51        “it is not necessary to argue that cohesion creates coherence; it is sufficient to note that the coherence of a text is reflected in and is signalled by the cohesion in the text.” 


“Schema theory can also be seen as a theory of intertextuality.”





4 The hierarchical organisation of texts


53        “the writer has to anticipate the reader’s needs both locally and globally” à hierarchy.

Simple hierarchies. Determination of constants and variables as sentences are added. Relationships of contrast, sequence, similarity, among groups of sentences. Matching relations and sequence relations.


61        “patterns of text organisation are grounded in the detail of the text. Discourse description that does not engage with this detail is not truly linguistics—it may be literary, semiotic or rhetorical and have a value in such terms, but the linguistic description of text/discourse, as well as developing its own categories, must also engage with the categories of other levels of linguistic description.”


Hierarchical sections of texts, etc. (Literary criticism is light years ahead of this…  JAGL).


66        “there are relationships across blocks of sentences that no neat hierarchical diagram can do justice to.”


69        “What Borges has in effect done is to force readers to question the pattern-making skills they use in making sense of narrative.”


70        Some text linguists forcing text into the hierarchical structures,  etc. “Shepherd (1988) shows that that one of the less obvious characteristics of narrative is that they make extensive use of repetition-signalled matching: this claim is supported in part by the narrative analyses in this chapter.” (Cohesion).



5  The organisation of some ‘Cinderella’ texts


72        “The preference of grammarians for fictional narrative as a model for introspected data was no more than a natural consequence of their confident literacy...”


“Text analysts have developed descriptions designed to account for the interconnectedness of argumentative and narrative prose, without acknowldedging the fact that not all texts take the form of continuous prose composed of complete sentences semantically related in respects of their lexis and the propositions they articulate.” (Cf. Goffman, la coherencia la da un contexto que no es lingüístico).


73        “the Cinderella texts that get neglected in most text theories” “a relatively homogeneous class” (????). “They are homogeneous in respect of their discourse characteristics but highly heterogeneous in respect of their appearance and use—the class covers a wide range of types of text from shopping lists to statutes, bibliographies to Bibles.”


74        The statute: no lexical coherence necessarily, etc. (What of pragmatic coherence?)

The text as ‘colony’. 


(Confunde los parámetros de descripción debidos a la disciplinariedad como si proviniesen del objeto descrito).


75        “the criminal statue and other such texts might be characterised as colonies”


“a colony is a discourse whose component parts do not derive their meaning from the sequence in which they are placed” (Reference books, etc. —pero si no estan ordenados no existe la colonia???? JAGL. Problema de relación utilidad / significado en esta definición).


76 “ a colony may be embedded inside another colony and in so doing a hierearchical organisation is normally created. Thus a newspaper is a colony whose component parts are themselves colonies”


79        “the framing context of a colony is usually essential for its interpretation in a way that is not normally the case for ‘mainstream’ texts”

Title protocols, etc.


81        “In marked contrast the parts of a scientific paper relate to each other independently of the influence of the title”.


Colonies may have multiple authors not responsible for the whole. Editors not the authors of every component.


Matching relations and sequence relations structure mainstream texts, colonies structured otherwise even if sections may have that structure.


Numerical ordering (no es simplemente numérico: pragmático, etc.)


87        “Numerical and temporal ordering can in many cases be regarded as functioning somewhat like conjunctions, some of which are used to signal sequence.” Only cohesive because author and reader connive at making them so.


89        The way colonies are read. “Reading can take several forms, and texts have developed in response to these forms.” Scanning looking for information: “Colonies ... have largely arisen in response to this reading strategy: they are organised so as to allow the reader to select what he or she needs. Interestingly the colony organisation of statutes would appear also to be a way of inhibiting uncooperative readings (Hoey 1985 a).


90        “'Mainstream' texts may likewise be read as if they were colonies” Colony-like elements in mainstream texts. Indexes, etc.


Implications for the language learner. Vs. reading as a single skill and linear processing.


91        “From the point of view of teaching academic reading, perhaps the most important implication of the ‘colony’ analysis is that academic textbooks have many of the features of a colony.” Vs. prejudice of complete reading as only way of reading. Libraries and computer folders as further colonies.


92  “the boundaries of our units should not be protected like barricades” “Our discourse boundaries are the product of our theories, not the raw data to be accounted for”


White: ‘solar system’ model for news stories around initial statement.



6  A Matrix perspective on text


93        Pike 1981 “Kenneth Pike seeks to distinguish between the structure of a happening and the structure of a telling of that happening. He argues that if we could find a way of describing the structure of a happening separately from its telling, then we might have a way of comparing the kinds of telling that people could use to report the happening.” (Esto es delirantemente pre-teórico).


Structure of event from the point of view of each of the persons involved, time bands and the narrative’s route through the matrix of each participant, omitting cells, changing order, etc. 


99        (Meditaciones sobre qué es story y que es happening, pero son self-defeating, presupone un contexto único que da la realidad de los hechos.. )


100      “Notice that this allows us to compare alternative tellings and to compre the telling we have with the tellings we might have had. If we have alternative tellings, they are presumably mappable onto the same matrix” (Ignora su posicion metalingüística).


The variable precision of matrixes (Goldilocks and the Three Bears, matrix analysis).


102      (Todo esto sin referencia al trabajo de los narratólogos).


105      A matrix perspective on Death and the Compass. “The relationship between genre and path through the matrix exists for literary genres as well as non-literary ones”


Alternative matrix analyses, sequence or comparison-based, etc.


115      “The matrix brings certain features of the text to light that might otherwise be overlooked. These might be described as the exposure of false symmetry, on the one hand, and the highlighting of true symmetry on the other” (O crea prioridades mecánicas).


118      “If a telling seems not to work in the judgement of readers, the explanation may lie in an inconsistent perspective, which can be identified readily by means of a matrix” (pss.).



7          Culturally popular patterns of text organisation


119      Another interaction stragegy may be adopted by writers: 


“The third strategy that a writer can adopt, however, is to answer an agreed sequence of questions, to operate in effect with a template of questions that both writer and reader know about and can refer to.”


Schemata and scripts (and genre?) Cultural presuppositions spelled out, etc.


120      “It is important to note, though, that other interpretations of the text are possible: the words do not have to have the meaning that reader and writer co-operate in making.” (atypical contexts, etc.)


121      “A schema represents the (non-narrative) connections between facts; a script represents the sequence in which likely events will occur.”


122      “readers seem to bring two kinds of knowledge to bear on the texts they read—the specific knowledge described by schemata and scripts and a more generalised sets of expectations that are shared across a range of texts” — “culturally popular patterns of organisation”


123      Problem-solution pattern, the most common of all.


Signals of evaluation point to problem, e.g. “illiteracy”


128 Two advertisements displaying problem-solution patterning. “It is important in any analysis to identify the signals that trigger recognition of the pattern and subsequently confirm its existence, since they are a direct linguistic reflection of the pattern.”


“The greater the knowledge the reader shares with the writer, the less need there is for the writer to make explicit linguistic reference to the pattern being followed, since the significance of the information being provided will be quite obvious to the reader”


130      Recognising writer’s patterns and signals “does not prevent me reflecting critically upon the value systems that the writer has chosen to encode”

Recycling in Problem-Solution patterns. (Negative evaluation leads to further response, until a solution is reached).


139 Interlocking problem-solution patterns (problem for one character is solution for another. etc).



8          Other culturally popular patterns


Problem-Solution is the more basic. Limitations: other types of pattern needed to account for textual structure.


145      Goal-Achievement pattern. 


148 “one text may represent the interleaving of different patterns”


150    Opportunity-taking pattern.

155      Desire Arousal-Fulfilment pattern.


161      Gap-in-Knowledge-Filling pattern. (No Bremond anywhere here).


Used in narratives as well as scientific or academic writing.


164      “In Death and the Compass Borges uses three of the patterns we have been considering in this chapter: the Gap in Knowledge-Filling pattern, the Goal-Achievement pattern, and the Opportunity-Taking pattern.” 


165      “The word mystery confirms the pattern, and solving shows that the Gap is being filled”

“I argued that the differences amongst alternative tellings of the same ‘happening’ were so considerable that it makes no sense to talk of them all sharing the same story”.


166      “Depending on which pattern we attend to, the story looks different.”


“Borges reminds us that text is the site of an unreliable and variable interaction between reader and writer and it is to that textual interaction that we again turn in the final chapter of this book, looking at two patterns that seek to replicate the interactivity of face-to-face talk”


167      “One of the defects of statistical measures of readability is that they compute difficulty in terms of sentence length and word length but cannot take account of the possible presence or absence of shared schemata/scripts.”


SPRE patterns as ready-made templates, an orientation for learning writers.


168      “A good writer does not use signals heavily but does give clear indications of the different stages of the pattern to his or her readers. The signalling vocabulary is valuable vocabulary and deserves to be given some priority in language teaching”



9          When the pattern turns into a dialogue


170      “all the patterns are brought to a conclusion or else re-activated by a Positive or Negative Evaluation and/or Result”... “all the patterns are characteristically signalled either by inscribed or evoking lexical choices”


Question-Answer Pattern. Questions, answers, rejected, basis for rejection, answer, etc.


178      “under some circumstances, the Question can be omitted.”


(Problem cannot be omitted).


184      a cline of patterns from Problem-Response to Question-Answer.


“text is the site of an interaction between writer and reader. The Question-Answer and Claim-Denial/Affirmation patterns seem to point to a further form of textual interaction, that between the author and someone other than the reader.”


187      “I am claiming in fact that all the patterning we have been considering in this and the last two chapters may be seen as a record of, and derivative from, the structures found in spoken discourse and social behaviour”


This book is just a preliminary study, etc. 


“I have initiated: I leave it to you to respond.”





L'encre de tes yeux

Sánchez anuncia su asalto definitivo contra España

Pedro Sánchez y la máquina del fango

Retropost, 2014: La perspectiva dominante en El Arte de la Guerra


lunes, 29 de abril de 2024

domingo, 28 de abril de 2024


Non, monsieur, je n'ai pas vingt ans (6)


Manu Chao - Clandestino

La PSOE y los Tres Grados de Obediencia

Estamos en la Semana Santa de Pasión de Pedro, en que se  ha bunkerizado en la Moncloa, como un Patriarca en su Otoño, como un Tirano Calaveras allende el Hundimiento... para comulgar con su alma y debatir si vale la pena seguir resistiendo los embates y asechanzas de la Ultraderecha, o bien, oponiéndose a este mar de fango, acabar con él y con todo de una vez. 

Seguro que medita mientras sujeta una Calavera de las del Valle.

En fin, que entretanto están sus piquetes de Charos y Charas haciendo el paripé del fervorín, gritando "Pedro, No te Rindas", cantándole la Internacional, y celebrando la fiesta de la democracia, porque hay Partido, y no pasarán. 


Cuánto amor irradian Sánchez y sus gentes. Yo creo que el anuncio del lunes va a ser la institución de un ministerio más, quizá para Begoña: el Ministerio del Amor. Antes era todo por la patria, o por el Partido, ahora el amor y el partido son lo mismo.

En fin, que todo este despliegue del pensamiento y el sentimiento de la PSOE me ha traído a la mente los tres grados de obediencia de los jesuitas, según los describe Unamuno en La Agonía del Cristianismo.

"En las cartas de Íñigo de Loyola (de San Ignacio) hay una (...) que dirigió desde Roma el 26 de marzo de 1553 a los padres y hermanos de la Compañía de Jesús de Portugal, aquella en que establece los tres grados de obediencia. El primero 'consiste en la ejecución de lo que es mandado, y no merece el nombre por no llegar al valor desta virtud si no se sube al segundo de hacer suya la voluntad del Superior; en manera que no solamente haya ejecución en el efecto, pero conformidad en el afecto con un mismo querer y no querer... Pero quien pretenda hacer entera y perfecta oblación de sí mismo, ultra de la voluntad (ojo al parche, ULTRA de la voluntad...) es menester que ofrezca el entendimiento (que es otro grado, y supremo, de obediencia) no solamente teniendo un querer, pero teniendo un sentir mesmo con el Superior, subjetando el propio juizio al suyo, en cuanto la devota voluntad puede inclinar el entendimiento'. Porque 'todo obediente verdadero debe inclinarse a sentir lo que su Superior siente'. Es decir, creer verdadero lo que el Superior declara tal." (Ensayos, I, 1003-04).

Aunque esto también lo expresa bastante bien Orwell en la escena final de 1984, cuando Winston llora de emoción porque por fin ama al Partido, y cree firmemente que 2+2 son 5...  siempre que el Partido así lo decrete.

Y con estos bueyes mentales hay que arar.







(Rereading) Observations on Rereading

Notes from

Galef, David. “Observations on Rereading.” In Second Thoughts: A Focus on Rereading. Ed. David Galef. Detroit: Wayne State UP, 1998. 17-33.*




Literary analysis as rereading (17).


“How does our perspective change after the initial experience? What distortions emerge through repetition?” (17).


“Rereading has many joys, but suspense is not one of them” (18).


(JAGL: But why not? Not the same kind of suspense, but a subtler one perhaps, a suspense proper to rereading—what shall I see that escaped me before, or which did not exist in my reading before.  A stronger versions: Who have I become, and who shall I become as I reread?).


Galef, rereading as distortion (19). (This is necessary to make the text available for other kinds of communicative use, apart from the originally intended one. Cf. my paper on the hermeneuticspiral).


“rereading heightens certain aspects of the text and blunts others” (21).


“reading is an experience, not merely an act of retrieval, and repetition does more than deepen experience” (23)


“one reaches an absurdity: rereading is impossible, at least in the sense of the same reader picking up the text for the second time” (24).


Attali: repetition “makes the stockpiling of time possible” (25).


Two poles of rereading: 


1) Children’s will to repeat text literally, or 


2) rereading for mastery, teaching 


(cf. rereading for identity vs rereading for difference).


“rereading is rethinking, and we lose this facility at our peril” (Galef  30).




Saturday Night Live.¿Dimitirá el tirano Pedro Sánchez obrándose el milagro?


sábado, 27 de abril de 2024

Definition of Cultural Materialism

From Dollimore and Sinfield, Political Shakespeare



                Cultural materialism:


            vii      “a combination of historical context, theoretical method, political commitment and textual analysis offers the strongest challenge [in the field of literary criticism] and has already contributed substantial work. 

- Historical context undermines the transcendent significance traditionally accorded to the literary text and allows us to recover its histories; 

- theoretical method detaches the text from immanent criticism which seeks only to reproduce it in its own terms; 

- socialist and feminist commitment confronts the conservative categories in which most criticism has hitherto been conducted; 

- textual analysis locates the critique of traditional approaches where it cannot be ignored. 

We call this ‘cultural materialism’.


                ‘Culture’ is to be taken in the wider sociological sense, not the narrower evaluative one, which is just “one set of signifying practices among others”.


            ‘Materialism’ “insists that culture does not (canot transcend the material forces and relations of production. Culture is not simply a reflection of the economic and political system, but nor can it be independent of it. Cultural materialism therefore situates the implication of literary texts in history. 

A play by Shakespeare is related to the contexts of its production—to the economic and political system of Elizabethan and Jacobean England and to the particular institutions of cultural production (the court, patronage, theatre, education, the church). 

Moreover, the relevant history is not just that of four hundred years ago, for culture is made continuously and Shakespeare’s text is reconstructed, reappraised, reassigned all the time through diverse institutions in specific contexts. 

What the plays signify, how they signify, depends on the cultural field in which they are situated. That is why this book discusses also the institutions through which Shakespeare is reproduced and through which interventions may be made in the present.”

            Finally, cultural materialism is not politically neutral—any cultural practice has a political significance, and cultural materialism is commited to the transformation of the social order.


 Jonathan Dollimore and Alan Sinfield, eds. Political Shakespeare: Essays in Cultural Materialism. 2nd ed. (Cornell Paperbacks). Ithaca (NY): Cornell UP, 1994.


Regarding the Unseen

Me nombran de pasada en esta tesis sobre Harold Pinter. En Singapur:

Goh, Qi Wei. "Regarding the Unseen: Reading the Offstage in Harold Pinter's Early Plays." MA diss. School of Humanities and Social Science; Nanyang Technological U, Singapore, 2017. Online at DR-NTU (Digital Repository of Nanyang Technological University).*







Autorretrato ante mi teclado


Autorretrato ante mi teclado

¿Será imputada Begoña Gómez por corrupción?

¿Qué estrategia oculta Pedro Sánchez?




viernes, 26 de abril de 2024



Aitor Guisasola añade:


Desacreditando a los Denunciantes

Para ser denunciante contra los poderes fácticos hay que tener la piel coriácea, porque se van a emplear a fondo los esperados y los inesperados. La prensa del Régimen, a lo suyo. Contra la asociación de ultraderechistas que se ha atrevido a denunciar con sus insidias a Begoña Gómez, espejo de esposas y empresarias:

Desacreditando a los Denunciantes

Mi fotoblog

Mi fotoblog
se puede ver haciendo clic en la foto ésta de Termineitor. Y hay más enlaces a cosas mías al pie de esta página.