The book Gender, I-deology: Essays on Theory, Fiction and Film is a collective volume of essays on
the representation of gender difference, and on the ideological
implications of the conventions or representational strategies used in
texts. It includes essays on film, literature, and critical theory,
written from a number of perspectives associated to feminist criticism.
My contribution is the introduction to the volume, and deals with the
main guidelines of discourses on gender. I examine a number of social
contexts, institutions, behavioral and linguistic practices which
contribute to the discourse on gender: sexuality, essentialist and
constructivist social theories, ideas about masculinity and femininity,
individuality, the organization of work, the discourse of love, of
family and marriage, the discourse of history, and last but not least
the linguistic implications of generic difference and the ideological
role of feminist criticism in the development of a critical awareness
with respect to gender roles and stereotypes. I expound a theory of the
role of stereotypes and of their unthinking use, as a relevant element
in the present economy of gender. The paper has a linguistic-semiotic
dimension, as it relates aspects of the use and generation of discourse
and aspects of critical discourse analysis, viewing both from the
standpoint of a theory of social processes which contribute to the
formation of gender as a cultural, ideological and discursive object.
There is, thus, an analytic continuum linking critical discourse and the
social construction of gender through semiotic practices.
Gender, I-Deology and Addictive Representation:
The Film of Familiarity
https://papers.ssrn.com/abstract=1590382
Suggested Citation:
Garcia Landa, Jose Angel, "Gender,
I-Deology and Addictive Representation: The Film of Familiarity" (1994).
In Gender, I-deology: Essays on Theory, Fiction, and Film. Ed. Chantal
Cornut-Gentille D'Arcy and José Ángel García Landa. (Postmodern Studies,
16). Amsterdam and Atlanta: Rodopi, 1996.. Available at SSRN: https://ssrn.com/abstract=1590382
Date posted: April 15, 2010 ; Last revised: May 27, 2010
Date Written: 1994
eJournal Classifications |
LIT Subject Matter eJournals |
WGSRN Subject Matter eJournals |
WGSRN Subject Matter eJournals |
WGSRN Subject Matter eJournals |
_____. "Gender, I-deology and Addictive Representation:
The Film of Familiarity." In Gender,
I-deology: Essays on Theory, Fiction and Film. Ed. Chantal Cornut-Gentille
D'Arcy and José Angel García Landa. Amsterdam: Rodopi, 1996. 1-54.*
_____. "Gender, I-deology and Addictive Representation:
The Film of Familiarity." In García
Landa, Vanity Fea 15 Oct. 2008.
(Links to online texts from Gender,
I-deology).
2008
_____. "Gender, I-deology and Addictive Representation:
The Film of Familiarity." In Gender,
I-deology: Essays on Theory, Fiction and Film. Online iPaper at Academia.edu 29 Oct. 2009.*
2014
_____. "Gender, I-deology and Addictive Representation:
The Film of Familiarity." Online PDF at Social Science Research Network 15 April 2010.*
2011
Women, Gender and Literature eJournal
((2010):
2013
Feminist Theory eJournal (2010):
2013
_____. "Gender, I-deology and Addictive Representation:
The Film of Familiarity." Online PDF at Zaguán 8 March 2011.*
2011
_____. "Gender, I-deology and Addictive Representation:
The Film of Familiarity." ResearchGate
3 May 2013.*
2013
_____. ""Gender, I-deology and Addictive
Representation: The Film of Familiarity." Online at Google Books.*
2013
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