From Hart and
Leininger's Oxford Companion to American
Literature:
Sexton, Anne (1928-74) , poet who
lived in her native Massachusetts and traced her ancestry to Mayflower Pilgrims, but whose writing is
concerned not with heritage or religion but very frankly with her firsthand
experience. Her first book, To Bedlam and
Part Way Back (1960), was the outcome of a nervous breakdown. The poems in All My Pretty Ones (1962) are equally
revealing. The same characteristics are evident also in the lyrics of Live or Die (1966, Pulitzer Prize) and Love Poems (1969). Her dark, bitter
views of life are evident in Transformations
(1971), retellings of the Grimms' fairy tales; The Book of Folly (1972), poems and prose parables; and The Death Notebooks (1974), which were
followed by the poems in The Awful Rowing
toward God (1975), published after her suicide. 45 Mercy Street (1976), Words
for Dr. Y (1978), and The Complete
Poems (1981) are posthumous collections of poems. A Self-Portrait in Letters appeared in 1977. In 1985 was published No Evil Star, a collection of essays,
interviews, and other prose.
From The Norton Anthology of American Literature:
Anne Sexton's first book of poems, To Bedlam and Part Way Back (1960), was published at a time when the
label confessional came to be
attached to poems more frankly autobiographical than had been usual in American
verse. For Sexton the term confessional
is particularly apt. Although she had abandoned the Roman Catholicism into
which she was born, her poems enact something analogous to preparing for and
receiving religious absolution.
Sexton's own confessions were to be made in terms more
startling than the traditional Catholic images of her childhood. The purpose of
her poems was not to analyze or explain behavior but to make it palpable in all
its ferocity of feeling. Poetry "should be a shock to the senses. It
should also hurt." This is apparent both in the themes she chooses and the
particular way in which she chooses to exhibit her subjects. Sexton writers
about sex, illegitimacy, guilt, madness, and suicide. Her first book portrays
her own mental breakdown, her time in a mental hospital, her efforts at
reconciliation with her young daughter and husband when she returns. Her second
book, All My Pretty Ones (1962) takes
its title from Macbeth and refers to
the death of both her parents within three months of one another. Later books
act out a continuing debate about suicide: Live
or Die (1966), The Death Notebooks
(1974), and The Awful Rowing toward God
(1975—posthumous), titles that prefigure the time when she took her life
(1974).
Sexton spoke of images as "the heart of poetry. Images
come from the unconscious. Imagination and the unconscious are one and the
same." Powerful images substantiate the strangeness of her own feelings
and attempt to redefine experiences so as to gain understanding, absolution, or
revenge. These poems poised between, as her titles suggest, life and death or
"bedlam and part way back" are efforts at establishing a middle
ground of self-assertion, substituting surreal images for the reductive
versions of life visible to the exterior eye.
Anne Sexton was born in 1928 in Newton, Massachusetts, and
attended Garland Junior College. She came to poetry fairly late—when she was
twenty-eight, after seeing the critic I. A. Richards lecturing about the sonnet
on television. In the late 1950s she attended poetry workshops in the Boston
area, including Robert Lowell's poetry seminars at Boston University. One of
her fellow students was Sylvia Plath, whose suicide she commemorated in a poem
and whose fate she later followed. Sexton claimed that she was less influenced
by Lowell's Life Studies than by W.
D. Snodgrass's autobiographical Heart's
Needle (1959), but certainly Lowell's support and the association with
Plath left their mark on her and made it possible for her to publish. Although
her career was relatively brief, she received several major literary prizes,
including the Pulitzer Prize for Live or
Die and an American Academy of Arts and Letters traveling fellowship. Her
suicide came after a series of mental breakdowns.
____
Anne Sexton at The Poetry Foundation
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