Liang, Ying. (Beijing Foreign Studies University, China).
"Female Body in the Postmodern Science Fiction." Theory and Practice in Language Studies 5.10 (Oct. 2015):
2037-2045.
Abstract—
The female body is still the focus of different and multifarious
schools of feminist criticism. How does this relate to the post modern sci fi?
Through examining the interactions between female bodies and technologies in
close readings of William Gibson’s Neuromancer and Greg Bear’s Queen of Angels,
we see an interesting paradox in action. On one hand naturally female body is
culturally constructed according to dominant codes of femininity and racial
identity, there is no way to consider the body without cultural influences
coming through, but on the other, we see that the roles of women aren’t the
traditional, socially conditioned, and arbitrary sex roles. And often times we
see an active rewriting the texts of the female body and an inversion of sexual
roles. Historically the female body was constructed as a hybrid case, thus
making it compatible with current notions of cyborg identity. Even today, the
ambiguous constitution of female body is strongly related to cyborg identity.
To contribute to the feminist studies of science and technology, this paper offers
an alternative narrative of sci fi identity and argues that the female body is
always gendered and is subordinated within systems of power, yet it is not
fully determined by those systems and instead, always interacting with and
resisting against these systems.
Index Terms—female body, science fiction,
technology, cyborg, Neuromancer, Queen of Angels
Liang,
Ying. "Female Body in the
Postmodern Science Fiction." Theory
and Practice in Language Studies 5.10 (Oct. 2015): 2037-2045.
2019
_____. "Female Body in the
Postmodern Science Fiction." Theory
and Practice in Language Studies 5.10 (London, 2016): 2037-2045. Online at ProQuest.*
2017
Online
at Academia.*
2020
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