domingo, 27 de noviembre de 2022

Motivos para protestar en la calle #27N: Golpistas impunes por culpa del Gobierno

Bogando por la mar

Bogando por la mar

COVID CERO YA

Bienvenido otra vez a Twitter, Joshua Philipp!!

 

193 - 1942. Grave crisis en España | Cambio de régimen

‼️El “intachable” juez Marchena también tiene una millonada en paraísos fiscales

sábado, 26 de noviembre de 2022

Refoto

Refoto

Enheduanna: La que escribió

16 de enero, conferencia Reflexiones sobre la Exposición "La que escribió: Enheduanna y Mujeres de Mesopotamia ca. 3400-2000 BC”: Una conferencia ilustrada por Sidney Babcock, conservador de la Biblioteca y Museo Morgan. Más información y registro: bit.ly/3ENEdX0.
 
La Alta Sacerdotisa Enheduanna es la primera autora conocida en la historia literaria. Una mujer que vivió hace unos 4.300 años en lo que hoy es el sur de Irak. Su poesía, dedicada a la antigua diosa sumeria Inanna (también llamada Ishtar), sigue siendo querida por su poder expresivo y erótico.
 
La exposición "La que escribió: Enheduanna y Mujeres de Mesopotamia, ca. 3400-2000 A.C. (en la Biblioteca Morgan hasta el 19 de febrero) explora la vida y obra de Enheduanna (ca. 2300 antes de Cristo), y reúne por primera vez una amplia selección de obras de arte que capturan ricas y cambiantes expresiones de la vida de las mujeres en la antigua Mesopotamia durante el tercer milenio antes de Cristo. Estas obras dan testimonio del papel de las mujeres en contextos religiosos como diosas, sacerdotisas y fieles, así como en las áreas sociales, económicas y políticas como madres, trabajadoras y gobernantes. Reuniendo una espectacular colección de sus textos e imágenes, esta exposición celebra la poesía intemporal de Enheduanna y su legado permanente como autora, sacerdotisa y mujer.
 
Esta charla ilustrada por Sidney Babcock—el comisario de la exposición y jefe de departamento de sellos y tabletas del antiguo Cercano Oriente—explorará la vida y el trabajo de Enheduanna mientras se exploró en la exposición, y destacará varios de los objetos a la vista.
 
Sidney Babcock es el comisario Jeannette y Jonathan Rosen y jefe de departamento de sellos y tabletas del antiguo Cercano Oriente en la Biblioteca y Museo Morgan.
 
Imagen: Burney Relief / Reina de la Noche, probable representación de Ereshkigal o Ishtar, Babilonia, siglos XIX-XVIII a. C.

 



Babcock, Sidney. (Curator at Morgan Library and Museum). "Reflections on the Exhibition 'She Who Wrote: Enheduanna and Women of Mesopotamia ca. 3400-2000: An Illustrated Lecture." 16 Jan. 2023. Online info at Morbid Anatomy. 2022.*

         https://www.morbidanatomy.org/events-tickets/reflections-on-the-exhibition-she-who-wrote-enheduanna-and-women-of-mesopotamia-ca-3400-2000-bc-an-illustrated-lecture-by-sidney-babcock-curator-at-morgan-library-and-museum

         2022

 

Mark, Joshua J. "Enheduanna." World History Encyclopedia 24 March 2014.*

         https://www.worldhistory.org/trans/es/1-10021/enheduanna/

         2025

 

Luchando por El Salvador

 





viernes, 25 de noviembre de 2022

16 tipos de familia

16 tipos de familia


Díaz, Itxu. "Las familias de Belarra." Libertad Digital 25 Sept. 2022.*

         https://www.libertaddigital.com/opinion/2022-11-25/itxu-diaz-las-familias-de-belarra-6959381/

         2022

 

—oOo—

Refoto

Refoto

Tuertera selectiva

Tuertera Selectiva


Navajas, Santiago. "Usted es fascista." Libertad Digital 25 Nov. 2022.*

         https://www.libertaddigital.com/opinion/2022-11-25/santiago-navajas-usted-es-fascista-6958968/

         2022

 

—oOo—

Violencia de género, definición

Violencia de género, definición

Pedro Rosillo desmiente las acusaciones de Royuela



Otros que no creen:

 

 



Inóculo Experimental



Vacuna Universal

My Lord All-Pride

 

My Lord All-Pride

Bursting with Pride, the loath'd Imposthume swells,
Prick him, he sheds his Venom strait, and smells;
But 'tis so Lewd a Scribler, that he writes
With as much force to Nature, as he fights.
Harden'd in shame, 'tis such a Baffled Fop,
That ev'ry School-Boy whips him like a Top:
And with his Arme, and Head, his Brain's so weak
That his starv'd Fancy is compell'd to take,
Among the Excrements of others' Wit,
To make a stinking Meal of what they Shit.
Soe Swine, for nasty Meat, the Dunghill run,
And toss their gruntling Snowts up, when they've done:
Against his Stars, the Coxcomb ever strives,
And to be something they forbid, contrives.
With a Red Nose, Splay Foot, and Goggle Eye,
A Plough-Mans looby Meene, Face all awry,
With stinking Breathe, and ev'ry Loathsome mark,
The Punchianello sets up for a Spark.
With equal Self-conceit too, he bears Arms,
But with that vile success, his part performs,
That he Burlesques his Trade, and what is best
In others, turnes like Harlequin to Jeast.
So have I seene at Smithfields wondrous Fair,  
When all his Brother-Monsters flourish there,
A Lubbard Elephant divert the Town,
With makeing Legs, and shooting off a Gun.
Goe where he will, he never finds a Friend,
Shame, and derision, all his steps attend:
Alike abroad, at home, i'th' Camp, and Court,
This Knight o'th' Burning Pestle makes us sport.
 
 
 
 Note on the poem by V. de Sola Pinto:
 
 LXI My Lord All Pride:  1680, pp. 144, 145; Portland Miscellany. This poem is undoubtedly a satire on John Sheffield, Earl of Mulgrave (see Introduction, p. xxiii). It was printed in a broadside dated 1679 with no. XXXVI ["A very Heroical Epistle in Answer to Ephelia"] under the title 'Epigram on My lord All-Pride' (Roxburghe Ballads, ed. J. W. Ebsworth, IV, 3, 567). 
18 Punchianello] Punchinello or Polichinello was the hero of a seventeenth-century Italian puppet show, the prototype of Punch, which appeared in London soon after the Restoration. Pepys saw 'Polichinello at Moorfields on 22nd August 1666. See O.E.D., s.a. Punchinello.
26 Lubbard] obsolete form of 'lubber'—a big, clumsy, stupid fellow, a lout (O.E.D.). 
30 Knight, o' th' Burning Pestle]An allusion to Beaumont and Fletcher's well-known burlesque. The name is doubless applied to Sheffield because of his red nose.

 

From Poems by John Wilmot Earl of Rochester. Ed. with an introduction and notes by Vivian de Sola Pinto. London: Routledge and Kegan Paul, 1953. 2nd ed. (Muses' Library). 1964.

 

From the Introduction, pp. xxii-xxiii:

 

It was during the fourteen or fifteen years that he spent at Court that Rochester acquired the reputation for wickedness that hung round him like a sulphurous halo in the eighteenth and nineteenth centuries. He seems to have made an enemy of John Sheffield, Earl of Mulgrave (afterwards Duke of Buckinghamshire), in the late sixteen-sixties. Sheffield was one of the minor Court Wits, a humourless, rather pompous person, not without literary talent, but with an immense opinion of his own importance. He became the friend and patron of Dryden and later of Pope and appears to be one of the chief sources of Rochester's evil reputation. The quarrel between the two men came to a head in November 1669, and Rochester has commonly been accused of cowardice for refusing to fight a duel with 'My Lord All Pride', as he called Sheffield. This was the version of the story given by Mulgrave himself in his memoirs (1), but entries in the Journals of the House of Lords (2) show that the duel was actually stopped by the personal intervnetion of the King, at whose request the House sent the Gentleman Usher of the Black Rod to secure the persons of both the ppers. Both of them were brought before the House, and made to promise to keep the peace. These entries seem to prove that there is no foundation for the charte of cowardice brought against Rochester on this occasion. When he judged that fighting was necessary, he was quite willing to fight; on 25th March 1673 a duel between him and Lord Dunbar, a notorious bully, was narrowly averted by the Earl-Marshal's intervention, and in December, 1674, when Mulgrave challenged Henry Savile, Rochester offred to act as second to his friend.

(1) The Works of John Sheffield (London, 1723) ii, 9, 10.

(2) Journals of the House of Lords, vol. xii (1666-75), pp. 272, 274, 2786, 277 s.d. 23rd, 24th, 26th Nov. 1669.

 

 
 
 
—oOo—

IRENE MONTERO ABANDONA EL CONGRESO LLORANDO Y LLAMANDO FASCISTAS A LA OPOSICIÓN

 

 

Algarra, Javier, et al. "El Contrapunto 25/11/2022." Audio. Decisión Radio 25 Nov. 2022.* (Irene Montero, PSOE alliances vs. Spain).

         https://www.decisionradio.com/el-contrapunto/i/70afad5cf0d92dc8bb67501a05b0c6db/el-contrapunto-25112022

         2022






















Tierra de Biescas

Viejo mapa de Aragón

La Confederación Plurinacional de Sánchez

Una cosa que está pasando en el Tribunal Supremo

 





Las Inscripciones como Mass Media

 

Duclos Bernal, Adela. (gs Ciencias de la Antigüedad, U de Zaragoza).  "Antes de las redes sociales los romanos se comunicaban con inscripciones en bronce y piedra." The Conversation 23 Nov. 2022.*

         https://theconversation.com/antes-de-las-redes-sociales-los-romanos-se-comunicaban-con-inscripciones-en-bronce-y-piedra-191900

         2022


 

Comentario que le pongo en Facebook y en The Conversation:

 

José Angel García Landa

Profesor titular de Filología Inglesa, Universidad de Zaragoza

Muy interesante. En este texto de Polibio que comento puede captarse una alusión que expresa la opinión de un historiador crítico sobre estos “noticiarios” primigenios del Imperio Romano: http://personal.unizar.es/garciala/publicaciones/logicadela.html

Mi fotoblog

Mi fotoblog
se puede ver haciendo clic en la foto ésta de Termineitor. Y hay más enlaces a cosas mías al pie de esta página.