From Vikram Seth's An Equal Music (I.11):
When I was being considered for the Maggiore Quartet, Helen asked me
how Julia was. They knew each other because our trio and their
quartet—both recently formed—had met at the summer programmes in Banff
in the Canadian Rockies.
I said that we'd lost touch.
"Oh, what a pity," said Helen, "And how's Maria?
Marvellous cellist! I thought the three of you played awfully well
together. You belonged together."
"Maria's fine, I think. She's still in Vienna."
"I do feel it's a pity when one loses touch with
friends," babbled Helen sympathetically. "I had a school-friend once.
He was in the class above me. I adored him. He wanted to be, of all
things, a dentist. . . Oh, it's not a sensitive subject, is it?"
"No, not at all. But perhaps we should get on with the rehearsal. I've got to be somewhere at five-thirty."
"Of course. You told me that you were in a hurry, and here I am, nattering on. Silly me."
To lose touch — an hearing and smell and taste and
sight. Not a week passes when I don't think of her. This after ten
years, too persistent a trace in the memory.
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