Mi blog sobre CINE

Y ahora que no voy al cine, ni es tan dulce nuestra piel....

—mi blog sobre CINE.  El viejo y el nuevo, que son el mismo y son otro. Como nosotros.

Vanity Fea (Cine).* (José Angel García Landa).

         https://vanityfea.blogspot.com/search/label/Cine

         https://blogdenotasvanityfea.blogspot.com/search/label/Cine

         2026

 

 

The Making of A Complete Unknown

From the YouTube comments:

José Angel García Landa

hace 0 segundos

Like Like a Rolling Stone? Then you'll love this!

@annjarvis2437

hace 1 mes

Been a fan since 1965 when my boyfriend introduced me to Dylan’s music. We married and over the years saw Bob in concert many times. My husband of 57 years died a year ago. My son and I went and saw this incredible film. We both cried as we knew my husband would have just loved it too

232

@whatmichaelfilmed

hace 1 mes

Non Dylan fan here. Went to see this because I’m a huge Tim fan. And I left the movie falling in love with Dylan and his music. I don’t think there is anything better I can say. Every single song and moment is beautiful

248

@nadiarepich5199

hace 1 mes (editado)

What an excellent preview! Suze was loved by Dylan until her death. He was never in love with Joan, as I have read several books on his life. They got involved, made mistakes, but Suze was the love of his life. He married gorgeous Sara, which was his goddess & also great love. He wrote several profoundly touching love songs for her. He made more mistakes. But it is very evident, Suze was never forgotten as the powerful first love of his life. You can see he protected her beyond her death as her real name was not used. How powerful. What love, what powerful mistakes. What a legend, Bob. No one like you will ever grace this planet. Timothee did a beyond excellent performance as I can see from these clips. He deserves an Oscar.

102

@AnthonyMcManus-ux6qf

hace 1 mes (editado)

Blown away by how great this film is. Deserves all the accolades it’s up for. “Who wrote this?” “He did.”

376

@stevenwebster4341

hace 1 mes

Greatest poet of our time. This film is long over-due and so well crafted. Thank you.

45

@kevinbarrett9615

hace 1 mes

A wonderful film about a singular musical genius, there is nobody in history like Bob Dylan . This movie does the impossible, it pleases fans, non fans and most importantly Bob himself.

118

@trailingarm63

hace 1 mes

Absolutely loved this film. I'm 64, have followed Dylan's music since I was about 14, seen him play live a number of times, watched all the documentaries, read the books, etc. The weird thing about Complete Unknown is that everything unfolded more or less exactly as it has done in my imagination across the last 50-years. I feel like a massive artistic mountain has been climbed by the director, actors, designers and just about everyone else who had anything to do with the movie's production. Bravo!

119

@renelund9917

hace 1 mes

This movie..... I can't even watch this broadcast without welling up with tears. The work and the spirit behind the production, the music, the actors, the man-Dylan. Incredible. A time capsule of greatness.

43

@MrMichaelIL

hace 1 mes (editado)

Anything I write here cannot do this film justice, but I was there in the sixties. Lived through the Cuban missile crisis, JFK's assassination, Bobby Kennedy's murder, Martin Luther King's assassination and the riots which followed. It was a tumultuous time in America's history but through it all there was an undercurrent captured in the music of the time and Dylan was the wellspring. This film captures and transports those who were there back to a time when we were coming of age and finding our way in the world and provides a snapshot of that period through the lens of Bob Dylan's story.

59

@christinee6678

hace 1 mes

Love Dylan - since the 1960’s. Lyrical genius. Love the film. Well, very well done. Thanks!!!

29

@dalesimmons9687

hace 1 mes

I can't remember when I've enjoyed a movie as much as this. It transported me to another world and I constantly forgot I was watching a movie and sometimes forgot I was in a theatre! I saw it twice in opening week to help the numbers. Everyone who helped create this should be proud beyond measure! Congratulations! I can't wait until I can buy a copy of this and watch it whenever I want. P.S. If Timothy doesn't want to give up all that he's learned - then please go on tour and play a Dylan cover show in some smaller venues. I'd buy a ticket no matter what it cost!

A Complete Unknown

 

   

 

Speaking of Some French Girls Who Say They Know Me Well...

 

Comentario de la película de Ridley Scott Prometheus (2012) atendiendo a sus referencias arquetípicas y culturales, y en particular a su expresión de inquietudes religiosas sobre el origen y destino de la Humanidad. 

Texto completo:

Prometheus

https://ssrn.com/abstract=5152227

8 Pages Posted:

José Angel García Landa

Universidad de Zaragoza

Date Written: August 12, 2012

English abstract: A commentary of some archetypal and cultural references in Ridley Scott's film Prometheus (2012), especially with reference to religious anxieties about the origins and fate of mankind expressed therein.

Keywords: Film studies, Science fiction, Ridley Scott, Creationism, Human origins

Suggested Citation:

Garcia Landa, Jose Angel, Prometheus (August 12, 2012). Available at SSRN: https://ssrn.com/abstract=5152227

 

 

También aquí:

_____. "Prometheus." In García Landa, Vanity Fea 12 August 2012.* (Rev. of Ridley Scott's film).

         http://vanityfea.blogspot.com.es/2012/08/prometheus.html

         2012

_____. "Prometheus." Net Sight de José Angel García Landa 29 Nov. 2022.*

         https://personal.unizar.es/garciala/publicaciones/Prometheus.html

         2022

_____. "Prometheus." In García Landa, Vanity Fea 25 Feb. 2025.*

         https://vanityfea.blogspot.com/2025/02/prometheus.html

         2025

_____. "Prometheus." SSRN 24 April 2025.*

         https://ssrn.com/abstract=5152227

         2025

Los Cuatro Jinetes del Apocalipsis

  

 

Los Cuatro Jinetes del Apocalipsis. (The Four Horsemen of the Apocalypse). Dir. Vincente Minnelli. Screenplay by Robert Ardrey and John Gay, based on the novel by Vicente Blasco Ibáñez. Cast: Glenn Ford, Ingrid Thulin, Charles Boyer, Lee J. Cobb, Paul Lukas, Yvette Mimieux, Karl Boehm, Paul Henreid. Music by André Previn. Photog. Milton Krasner (Cinemascope, Metrocolor). Assoc. prod. Olallo Rubio. A Julian Blaustein Production. USA, 1962. YouTube (Wilmer Gomez) 12 Jan. 2025.*
https://youtu.be/30QVWalMckk

         2025

The Sense of an Ending

 

        The Sense of an Ending. Dir. Ritesh Batra. Based on the novel by Julian Barnes. Cast: Jim Broadbent, Charlotte Rampling, Harriet Walter, Michelle Dockery, Emily Mortimer, Billy Howle, Joe Alwyn, Freya Mavor, Matthew Goode, Edward Holcroft, James Wilby. UK, 2017.

 

        Vi hace unos años esta película, y me gustó, y sin embargo la había olvidado completamente. Me he acordado de ella al leer la novela de Julian Barnes en la que se basa. O al releerla, si leer el original es releer. 

        Versa la novela sobre un jubilado divorciado que vuelve a contactar con una novia de hace cuarenta años, a la que dejó plantada o quizá más bien le dejó plantado, y empezó a salir con un amigo de él... Con las muchas iluminaciones y desilusiones que trae la retrospección. Un pasaje característico:

        Her attitude towards me, now that I looked at it, had been consistent — not just in recent months, but over however many years. She had found me wanting, had preferred Adrian, and always considered these judgements correct. This was, I now realised, self-evident in every way, philosophical or other. But, without understanding my own motives, I had wanted to prove to her, even at this late stage, that she had got me wrong. Or rather, that her initial view of me — when we were learning one another's hearts and bodies, when she approved of some of my books and records, when she liked me enough to take me home — had been correct. I thought I could overcome contempt and turn remorse back into guilt, then be forgiven. I had been tempted, somehow, by the notion that we could excise most of our separate existences, could cut and splice the magnetic tape on which our lives are recorded, go back to that form in the path and take the road less travelled, or rather not travelled at all. Instead, I had just left common sense behind. Old fool, I said to myself. And there's no fool like an old fool: that's what my long-dead mother used to mutter when reading stories in the papers about older men falling for younger women, and throwing up their marriages for a simpering smile, hair that came out of a bottle, and a taut pair of tits. Not that she would have put it like that. And I couldn't even offer the excuse of cliché, that I was just doing what other men of my age banally did. No, I was an odder old fool, grafting pathetic hopes of affection on to the least likely recipient in the world. 

Krapp's Last Tape

—oOo—

Kurosawa y la pintura

 Me citan en este artículo sobre Akira Kurosawa y la pintura clásica:

Álvarez Gómez, Raúl. (U Rey Juan Carlos). "Claves de la pintura barroca en el cine en blanco y negro de Akira Kurosawa." Fotocinema: Revista científica de cine y literatura 16 (2018). Universidad de Málaga-UMA Editorial, 2018.*

         http://www.revistas.uma.es/index.php/fotocinema/article/view/4093/3808

         2018

_____. "Claves de la pintura barroca en el cine en blanco y negro de Akira Kurosawa." Fotocinema 16 (2018): 127-51.*

         https://www.academia.edu/126177861/

         2024 

Periodismo, literatura y cine

Un trabajo de fin de grado de periodismo en el que me citan (Acción, Relato, Discurso):

Martín González, Sara. "Relaciones entre periodismo, literatura y cine: El caso de Arturo Pérez-Reverte, Truman Capote y Tom Wolfe." Dir. Mercedes Miguel Borrás. TFG Grado de Periodismo, U de Valladolid, 2015. Online at UVAdoc.*

         https://uvadoc.uva.es/bitstream/handle/10324/19263/TFG_F_2015_148.pdf

         2024

La imagen del periodista

 

TFG en el que me citan:

Méndez Carazo, Carolina. "La imagen del periodista en el cine de la primera década del siglo XXI." BA diss. Supervisor: Mercedes Miguel Borrás. U de Valladolid, 2014. Online at UVAdoc.*

         https://uvadoc.uva.es/bitstream/handle/10324/8471/TFG_F_2014_111.pdf

         2024

—oOo—

Le procès Goldman

 

 

Le Procès Goldman (The Goldman Case). Dir. Cédric Kahn. Written by Nathalie Hertzberg and Cédric Kahn. Cast: Arieh Worthalter , Arthur Harari, Stéphan Guérin-Tillié, Nicolas Briançon, Aurélien Chaussade, Christian Mazzuchini, Jeremy Lwin, Jerzy Radziwilowicz, Chlogé Lecerf, Laetitia Masson. Prod. Benjamin Elalouf. Canal+ / Moonshaker Films. France, 2023. DailyMotion (PicturePerfectChannel). 2024. (Pierre Goldman, a far-left militant who was accused of 4 murders and his relationship with his lawyer Georges Kiejman).

         https://dai.ly/x8y50wq

         2024

Penny Serenade (1941)

24 ojos

 

 

 

 

Twenty-Four Eyes (二十四の瞳, Nijū-shi no hitomi) is a 1954 Japanese drama film directed by Keisuke Kinoshita, based on the 1952 novel of the same name by Sakae Tsuboi.[1] The film stars Hideko Takamine as a young schoolteacher who lives during the rise and fall of Japanese nationalism in the early Shōwa period, and has been noted for its anti-war theme.

The Quiet Girl

 

OnOff

Ripley's Game

 

Incrustar el vídeo Ripley's Game (2002) Reproducción automática OnOff

The Zone of Interest

 

OnOff

The Zone of Interest. Writer and dir. Jonathan Glazer. Based in part on the novel by Martin Amis. Cast: Christian Friedel, Sandra Hüller. UK/USA/Poland, 2023. Online at DailyMotion (PicturePerfectChannel) 2024.*

         https://dai.ly/x8wc830

         https://www.dailymotion.com/video/x8wc830

         2024

El Quijote (RTVE)

Memory/Postmemory

Artículo donde me citan. Bueno, me nombran.

Biwu, Shang. (Shaghai Jiao Tong U, biwushang@sjtu.edu.cn) "Memory/Postmemory, Ethics, and Ideology: Toward a Historiographic Narratology in Film." Primerjalna Knijizevnost (Ljubljana) 38.1 (2015): 63-86. Online at Academia.* (Comparative Literature, Ljubljana).

         https://www.academia.edu/31108917/

         2024

Retropost, 2014: Días del futuro pasado

 

Vanity Fea: Días del futuro pasado

Ella (Her)

Vuelta a la Brecha

Un artículo sobre el Enrique V de Shakespeare —y el de Laurence Olivier, y el de Kenneth Branagh— en el que me citan:

Torrado Mariñas, Laura. (U de Vigo; ltorrado@uvigo.es) "'Once More Onto the Breach, Dear Friends…': Olivier and Branagh's Henry V or Two Context-Dependent Renderings of the Shakespearean Original." Odisea 11 (2010): 155-68.*

         http://www.ual.es/odisea/Odisea11_Torrado.pdf

         2017

         Online at Portal de Revistas de la Universidad de Almería.*

         http://ojs.ual.es/ojs/index.php/ODISEA/article/download/318/289

         2024

         Online at riUAL (Universidad de Almería).*

         http://repositorio.ual.es/bitstream/handle/10835/1089/Odisea11_Torrado.pdf

         2020

         Online preview at Google Books:

         https://books.google.es/books?id=yJLdCgAAQBAJ&lr=&source=gbs_navlinks_s

         2017

         Online at Academia.*

         https://www.academia.edu/96247458/

         2023

 

 

 

Lo citado es este articapítulo mío sobre los Enriques:

 

"Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." Online PDF at Academia 25 April 2009.*

https://www.academia.edu/178881/

2014

 

—oOo—