The Theatricality of the Self in Adam Smith
Adam Smith's Theory of Moral Sentiments (1759) is an influential forerunner of the dramatistic theories of the self developed by symbolic interactionists. David Marshall's analysis of the theatricality of the self in Smith (in The Figure of Theater) provides valuable insights which must be complemented with an explicit interpretation of Smith's dramatism in the context of later theories of the self, such as those developed by social interactionists such as Charles Cooley, G. H. Mead, and Erving Goffman.Number of Pages in PDF File: 10
Keywords: Adam Smith, Self, Subject, Dramatism, Erving Goffman, Theatricality, Morality, Conscience
También aquí:
_____. "La teatralidad del yo en Adam Smith." In García Landa, Vanity Fea 15 March 2016.*
http://vanityfea.blogspot.com.es/2016/03/la-teatralidad-del-yo-en-adam-smith.html
2016
_____. "La teatralidad del yo en Adam Smith." Ibercampus (Vanity Fea) 16 March 2016.*
http://www.ibercampus.es/la-teatralidad-del-yo-en-adam-smith-32637.htm
2016 DISCONTINUED 2024 – Online at the Internet Archive:
2024
_____. "La teatralidad del yo en Adam Smith (The Theatricality of the Self in Adam Smith)." SSRN 7 April 2016.*
https://ssrn.com/abstract=2754605
2026
_____. "La teatralidad del yo en Adam Smith." In García Landa, Vanity Fea 8 April 2016.*
http://vanityfea.blogspot.com.es/2016/04/la-teatralidad-del-yo-en-adam-smith.html
2016
_____. "La teatralidad del yo en Adam Smith." Net Sight de José Angel García Landa 5 Jan. 2023.*
http://personal.unizar.es/garciala/publicaciones/teatralidadSmith.pdf
2023
_____. "La teatralidad del yo en Adam Smith." Academia 16 March 2026.*
https://www.academia.edu/165201439
2026

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