"Samuel
Beckett y la Narración Reflexiva" es un estudio en profundidad de la
escritura experimental de Beckett, en especial de la trilogía
novelística "Molloy," "Malone Dies," and "The Unnamable", desde la
perspectiva de la narratología estructuralista y las teorías
estructuralistas sobre la enunciación. Resulta de allí no sólo una mejor
comprensión de la técnica utilizada por Beckett para transmitir su
peculiar visión de la realidad, sino también toda una nueva gama de
significaciones en estos textos. En este capítulo examinamos la
problematización a que se somete la narración en primera persona
(autodiegética), el uso paródico de la motivación realista, y la
relación entre el autor ficticio y el autor textual o implícito.
Texto completo:
Narración autodiegética (Samuel Beckett y la narración reflexiva,
6)
http://papers.ssrn.com/abstract=2514510
Autodiegetic Narration (Samuel Beckett and Reflexive Narrative,
6)
"Samuel
Beckett and Reflexive Narrative" is an in-depth study of Beckett's
experimental writing, more specifically of the novelistic trilogy
"Molloy," "Malone Dies" and "The Unnamable," from the standpoint of
structuralist theories of narrative and of enunciation. An increased
insight is thereby obtained into the technique used by Beckett to
articulate his peculiar view of reality, and a new dimension of
signification of these texts emerges. This chapter examines Beckett's
problematization of first-person (autodiegetic) narration, the parodic
use of realistic motivation for the narrative, and the relationship
between the fictional author and the textual or implied author.
Note: Downloadable document is in Spanish.
Number of Pages in PDF File: 14
Reference
Info: Samuel Beckett y la narración reflexiva (Zaragoza: Prensas
Universitarias de Zaragoza, 1992) Autodiegetic Narration (Samuel Beckett and Reflexive Narrative, 6)
"Samuel Beckett and Reflexive Narrative" is an in-depth study of Beckett's experimental writing, more specifically of the novelistic trilogy "Molloy," "Malone Dies" and "The Unnamable," from the standpoint of structuralist theories of narrative and of enunciation. An increased insight is thereby obtained into the technique used by Beckett to articulate his peculiar view of reality, and a new dimension of signification of these texts emerges. This chapter examines Beckett's problematization of first-person (autodiegetic) narration, the parodic use of realistic motivation for the narrative, and the relationship between the fictional author and the textual or implied author.| eJournal Classifications (Date posted: October 26, 2014) |
LIT Subject Matter eJournals
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| LIT Subject Matter eJournals
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________
_____.
"Narración autodiegética (Samuel
Beckett y la narración reflexiva, 6). Academia
14 May 2015.*
2015
_____. "Narración
autodiegética (Samuel Beckett y la
narración reflexiva, 6). ResearchGate
31 July 2015.*
2015
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